Outside the Knight Library, Brain-
Storming For History
I. A Record of Western Civilization
A Shushing Tree whispers at a gust of wind.
Together, they rush into dark as if two charging
crusaders, aimless as infidel-knights toward the holy
jihad evening, which murdered day's one begotten sun.
Breezes stage-whisper to the other pliant trees,
joining wind's campaign to stoke the fire in their leaves.
Choruses line up single file on both sides, voices rumbling
the hollow body of the sleeping city, a wheezing resurrection
through victory horns, an ancient breath still blowing,
eeking out from a universal diaphragm, a last push of air,
time dragging by its fingernails, lungs closing on the final burst,
when ribcage sides cymbal-crash together, arms twitching at the cold.
II. The Warped Version of the Record
skinny sticks drag like-the
record needle leaves-on
those little lines small-grooves
brushed into the con-crete
twirling, through the fog-sweat
beads chilled in the lime-light
all them peeling clothes-ON
& OFF--
scratching
a cross
into
our ears,
the lesser
known
melodies
of death
Electric Epistles
"We have no need for genius--genius is dead. We have need for strong hands, for spirits who are willing to give up the ghost and put on flesh." - Henry Miller. We need contributions that in their metaphors, topics, imagery, and substance investigate what it means to live in a world on the cusp between humanity and robotics, between open spaces and binary break-downs. What has it done to our psyche and how do we escape? We also need 'strong hands' to celebrate the life outside the screen.
12.22.2012
Ma Interrupts
A Pacific Cradlesong
The moose makes the first way,
then Indians follow the moose—
is it ‘moose’ or ‘meese,’ honey?
Always wondered. Anyway...
Pioneers and wagons come.
The trappers trail Indians.
And you can bet your balls they danced
on the corner of their rhombus lives!
Then came the deep scarring
of these old roads with asphalt.
But, oh! Look how them yellows
nodding, slipping soft
nuzzling into velvet,
lullabied into finite edges
A Pacific Cradlesong
The moose makes the first way,
then Indians follow the moose—
is it ‘moose’ or ‘meese,’ honey?
Always wondered. Anyway...
Pioneers and wagons come.
The trappers trail Indians.
And you can bet your balls they danced
on the corner of their rhombus lives!
Then came the deep scarring
of these old roads with asphalt.
But, oh! Look how them yellows
nodding, slipping soft
nuzzling into velvet,
lullabied into finite edges
of the Great Pacific Ocean waves!
Lost Angeles, CA
Mustard-colored curtains dance L.A. summer breezes.
An antique phonograph scats Scott Davis and the Village
Vanguard. Seventies shag carpet—beige, mint. Sea foam
walls droop with thrift store treasure. Cushion-covers, quilted,
each square an ancient photograph, faces, haunts, old
rivering echoes.
She’s tall, thin. A skinny Snow White,
black-eyes and red-hair.
Wears a shirt the color of the sky
before it weeps.
This smell. This room. Tack one wallside and
run. Stretch it over sangre highways and desert cities,
fly it in the bake-and-broil blue, over dreamed-up fields
and gravestones. Stretch it round a million miles,
galaxies away from the huffing, puffing mouths
yelling, Blow the house down!Looks twenty-three at me. California studio. Kitten.
Charity work/ Loans, alarm clocks, credit cards.
She’s fishing for an absent Charming, so I open wide
and drag her down deep as hook will take us.
We met five hundred years ago, in sequin
Masks, in an Inquisition prison cell.
Tired souls bending, swaying infinite,
twisted and twirling.
Her heaven is dark chocolate and Romantic
poetry, angsty Love. Trashway alley rants.
Quaking whispers echoed down her Russian
novel hallways. Shattered glass, stuff like that.
A painting three feet tall, more long,
Seculuded forest pond at dusk. Autumn. Flameshot
leaves screaming off from oaks. Shadows dark against
the soil. Lilies float across the murky water.
A gurgling fall smiles at us from the far side.
The Horror, she calls it. She’s right: it is this dated
decor’s northern star, straight on till morning.
“Beautiful place to live,” she says, but
“A pleasant place to fade away,” is all I have for her.
An antique phonograph scats Scott Davis and the Village
Vanguard. Seventies shag carpet—beige, mint. Sea foam
walls droop with thrift store treasure. Cushion-covers, quilted,
each square an ancient photograph, faces, haunts, old
rivering echoes.
She’s tall, thin. A skinny Snow White,
black-eyes and red-hair.
Wears a shirt the color of the sky
before it weeps.
This smell. This room. Tack one wallside and
run. Stretch it over sangre highways and desert cities,
fly it in the bake-and-broil blue, over dreamed-up fields
and gravestones. Stretch it round a million miles,
galaxies away from the huffing, puffing mouths
yelling, Blow the house down!Looks twenty-three at me. California studio. Kitten.
Charity work/ Loans, alarm clocks, credit cards.
She’s fishing for an absent Charming, so I open wide
and drag her down deep as hook will take us.
We met five hundred years ago, in sequin
Masks, in an Inquisition prison cell.
Tired souls bending, swaying infinite,
twisted and twirling.
Her heaven is dark chocolate and Romantic
poetry, angsty Love. Trashway alley rants.
Quaking whispers echoed down her Russian
novel hallways. Shattered glass, stuff like that.
A painting three feet tall, more long,
Seculuded forest pond at dusk. Autumn. Flameshot
leaves screaming off from oaks. Shadows dark against
the soil. Lilies float across the murky water.
A gurgling fall smiles at us from the far side.
The Horror, she calls it. She’s right: it is this dated
decor’s northern star, straight on till morning.
“Beautiful place to live,” she says, but
“A pleasant place to fade away,” is all I have for her.
Double-Decker Train
A one-level Starlight coasts
by—so quiet. I guzzle jaggedly
back to its older, chug-chugging
doppleganger double. Spend a
moment, wonder if the early black
and white film movie stars
have displaced memory,
fogged actual events… No, by
god, because—yes!—we did
stick our heads out windows
yelling “Bye mommas!” “Smell
ya laters!” and “Woooooo-hooooos!”
as the thing broke our standstill
to chuttle North into the open
arms of our Seattle Aunt
awaiting us. Charred stink breezing
through an open smoking car,
indoor-outdoor convenience,
an anachronistic contrivance
with no place in our world evolving
out of the smoke.
Out of the coal
shovel chafing black dust
we glide into the electric humming
of a freon century packed in
with nutritional bars,
vitamin shots whizzing down
the veins to the senseless
hearts of our yogi bourgeoise.
We love that smoke, the dirt,
grime, the throated roars
my brother and I cannon
to parents standing
on the track, with half our
bodies—yes half!—hung
out the open windows,
dangling downside up,
all smiles a s o u r w o r l d p u l l s a w a y...
Shotgun Stars
After
I slam the hungry
trunk hard against the last load of our things,
I walk the hollow
halflight of my steps, the sound bouncing off
the walls and through our
attic. The street outside growls a thousand
cars. House fills with light,
bulbs burn, smiling their reflections against
the lemoned wood. They smile 10
like lost arguments. Like her, hands holstered
on her hips. Like our
cat cannot help but smile no matter what
the circumstances,
lips ever up-curved in his side profile.
Then
I hold my friend in the quiet of her
empty room, rolling
up in carpet-vacuumed emptiness, that
houses us. She sits 20
on the floor. She makes a ninety-degree
angle, trying to
become drywall, bark herself into the
aging Oak, spread her
body’s paint across the primer-plastered
walls. We, lying down,
stare up the ceiling. “The Stars stay,” she says.
“God! That fucking piece
of shit, that sonnuva bitch! that fucking—
Later, 30
she snores against my lap, crumpled, fetal,
a penny falls from
her pocket. I chuck the worthless Lincoln,
listen to its plucked
echo. “We’ll find other Stars,” I whisper,
petting her red hair
the way she likes, then switchflip into dark.
Under green star glow
I gawp at a letter from our rental
company, frowning 40
down at paper—Cracks. Renovate. Vacate.
Sincerely, Apologies.
An ozone kind of problem, The fracture
growing below us
now—
fast, nebulous thing.
It starts slow, as all things do. She loses
a few bobby pins,
some gum—I lose the change jar. But it grows.
A thirsty black hole 50
would drink us up if we decided stay.
Huddled together
inside, pregnant gulf beneath expanding,
the music of chairs
clattering our bodies away, into
each other, the hole
stealing us one day through open threshold.
Down there, waiting, we
shiver, skin against skin, clutching lean hopes
that our universe 60
will fall its own way down and follow us.
Another YoPro
I was jealous of her time up
North, at
Oberlin, which is the first
college to
offer a Bachelor's degree to
women.
She left me for Oberlin and
I remain
a bachelor myself. She did
condescend
a time or two to talk with
me about
some things. She said she
had to leave
because I'm wholly married
to my class
and seem to have no interest
in her
and don't look like a
divorce. That was it.
Married though I am, to my
class, I told
her that I would immortalize
her in
lines of poetry if I could
find time
to scribble down a word or
two about
her swan's hair, her Aryan
complexion--
maybe write them on the
mission's bathroom wall.
Who knows? Life is unstable,
and singular
stability is what she wished
for. So,
she went to Oberlin and now,
I hear,
she scooped up a vanilla man
with locks
and keys to every box and
all the houses
that she hopes to open or
else to live
inside. He's a nice man, I
hear. I'm sure
he is, and means no harm and
thinks nothing
of the psychopathic urge to
speak to
no one after midnight when
the doorknob
stops squeaking out of its
turn. Sabotaged,
a bachelor, I'll live on
Northwestern
berries, in caves and
forests, foraging
meals as I can, canning my
dried fruits with
mason jars I've stored in
the cabin a
great-grandfather built,
bare-handed, hundreds
of dead Indians ago, while I
live
black, shadowed by the
bloody edge of his
axe. She'll finish her time
at Oberlin,
I hope, keep on tasting
every cookbook
recipe and shopping cart
holiday
treat. Taste the mayonnaise
spread on biscuits
for her buttermilk children,
and think no
more on me and this
adolescent gripe.
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